My artwork is based on observations of the landscape and flora, notably in Ku-Ring-Gai Chase National Park, and more recently in the Bellingen Shire. My initial study in Landscape Architecture has inspired my interest in geology and indigenous botanical landscapes. Overtime, I have witnessed the bush thrive in the wet, fight or recoil in the dry, and brought back to life after the fires. I hope to transcribe reverence for the Australian bush and to reveal the mysterious and alluring qualities of our native plants and the lie of the land.

The natural landscape presents as an intriguing paradox. Up close, the bush is an unruly entanglement of prickly menace; from a distance, are distinct interlocking shapes that can be ordered by the eye into Cezanne's geometry. Patterns that appear on the macro level are reiterated at the micro. Whilst bodies of water lead the eye in and outwards through reflections, there is a mysterious chasm in time, yet it also appears infinite. Shadows of texture hem and define vibrations of light. I endeavour to capture some of these subtle ambiguities in my work.

I retrace the place, coming closer to the essence of form, yet ironically remove it, by carving back through the surface. The image becomes a visual description that blends aspects of botanical documentation (like the early Australian artists); a journey through nature, (influenced by Japanese scrolls); and a personal expression through patterns of whimsy, and reflections on the past inhabitants, the Carigal and Gumbaynggirr people, whose presence are keenly felt.

This video shows a bit of my practice in action. Painting outdoors and then taking the work back into the studio to be reworked.